(Chase)
I’m in the car before my mind really catches up with what just happened.
I have a vague auditory recollection of my own voice saying something with the words vapid, manufactured, and parasitic in it.
Then there’s a perfectly crisp visual recollection of Chloe tilting her head to the side with her phone in her hand.
I knew it had been recording inside the first three seconds of our conversation.
I watched her keep hold of it when she asked her question.
And I answered anyway.
This is the part I’m going to spend the rest of my life thinking about.
Reeves is driving.
He hasn’t said anything since I got in and told him to take me home.
I roll the window down two inches.
We’re on Sunset before I have my phone out and unlocked.
The clip is already up.
On more than one platform.
I watch it once.
It’s twenty-four seconds long.
Chloe cropped out the question. The clip starts in the middle of my answer.
What the world is now getting to watch is Chase Warren in a tuxedo, glass in hand, leaning into a small woman in white at a children's cancer gala.
He calls her vapid, manufactured, and parasitic in a voice that is, I have to admit, considerably louder than it needed to be.
Without the question, I look insane.
With the question, I would still look bad but I wouldn’t look insane.
I’d look like a man who had been asked, in front of many witnesses, whether it was true that I was trying to take a sick child away from her dying mother.
Chloe must be confusing dehydration with dying.
Or she was pushing my buttons on purpose.
Either way, I don’t get to attach the question.
The internet doesn’t work that way.
What’s been published is what people will see.
Chase Warren is an aggressive misogynist. Possibly with a drinking problem.
I close the app.
I open it again, because apparently I’m going to do that to myself a few more times tonight.
The hashtag I’m being given is #WarrenUnhinged.
I hadn’t previously known that the people who write hashtags worked this fast on a Saturday.
I close the app again.
I put the phone face-down on the seat next to me. I look out of the window.
"Reeves."
"Sir."
"Take me home, please. Not the apartment. The Estate."
"Yes, sir."

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